| Songs of the Earth is Elspeth
Coopers first novel, and is the opening opus in a new high fantasy trilogy The
Wild Hunt. The story concerns Gair, a disgraced novice in a religious
martial order who has been exposed as a witch and is now expecting to be burnt at the
stake for his witchery. Gair is given a reprieve of sorts, evades recapture by the knights
of his former order and is taken away to learn how to use his witchery. There are, of
course, other events and stories happening while Gair comes to terms with being a witch
and learning his craft but these are yet to intersect the main story (wait for books two
and three). During the course of the book Gair makes an enemy or two, gains and loses a
lover and comes to accept he is important in the witchery world and is left waiting for
the a big confrontation or quest to give his life meaning.
Gair is a witchery prodigy, having great natural strength and ability, and is also a
foundling so is unable to account for his preternatural abilities. To add interest the
world in which Gair lives is separated from at least two other worlds by a veil of
transubstance, with at least one wearing thin and in danger of being breached and
should that happen then the wild hunt will ride unhindered through the realm of mortals.
So much for the story, how about the delivery? For the first half of the book Ms Cooper
used an intriguing style. For every chapter that featured Gair as the protagonist she
began with very realistic nightmare dreams that disintegrated into rationality as Gair
woke. At some point she stopped doing that and for me the book was the lesser for it as
Gair ceased grappling with some intense personal demons. By loosing the dreams he became
less of a flawed character and less interesting, which more the pity made his subsequent
triumphs less heroic.
As to what happens next, whether a quest for Gair or a tear in the veil between worlds
one is left guessing. Book two will reveal more.
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